What happens when you enter a rehearsal space early Saturday morning, catch some artists on their break, while a karate class is happening in the background? One memorable conversation! The Arts Scene sits down with director Philip Riccio and actor Richard Clarkin to chat about their new stage production Speaking in Tongues, a new play by The Company Theatre. Riccio is co-Artistic Director of the theatre company along with Republic of Doyle’s Allan Hawco.
Speaking in Tongues is a contemporary classic written by Australian stage and screenwriter Andrew Bovell. It is a deep and complex study on character – specifically strained relationships – focusing around four different marriages. The story plunges into a world of mystery fueled by sex, lies and neglect, climaxing when a woman goes missing. This genuinely unique piece is written for four actors, each of whom plays a minimum of two characters for a total of nine. Broken down into three sections, this play tests the boundaries of theatrical elements, creating a powerful and ingenious narrative that captures one’s attention throughout. In addition to Clarkin, the production also stars Jonathan Goad, Helene Joy & Yanna McIntosh.
Richard Clarkin, best known for his many TV and movie roles, returns to The Company Theatre with his complex role in Speaking in Tongues. Covering three very fragile and deep characters, Clarkin shares in this interview the complexity in showcasing their turmoil, emotions and moments of revelation, each character being greatly different from the other. Philip Riccio provides us with insight into the development of this award winning play, working with the various actors and working through the complex elements that exist within this production.
This in-depth interview truly puts a perspective on this mind boggling production. Speaking in Tongues is a fresh, innovative theatrical adventure that brings something new to Toronto’s vibrant theatre community. For more information about this play and to purchase tickets, please CLICK HERE
We apologize for the background noise (we did conduct it during a Karate class!) – Do let us know your thoughts on this interview and about the play if you have already seen it.
