The last time we saw Charlize Theron in a uber freaky negative role was when she played the infamous serial killer Aileen Wuornos in the 2003 film Monster, which earned her an Academy Award for Best Actress. Theron puts on those negative shoes again, but this time, not playing psychopathic serial killer. Rather a more relevant character from our distant past: an egotistical drama queen.
Young Adult outlines the story of Mavis Gary (Charlize Theron), a teen literature writer who lives in Minneapolis, Minnesota, with her cute and cuddly dog. She grew up in small-town Mercury as the “popular girl” in highschool and with practically everything she ever wanted (and frankly needed): From stunning good looks to an egotistical attitude. When she moved to “Mini-Apple” Minnesota she began writing as a ghost writer for a popular teen novel series; However, when the series was cancelled and things were going south for her career, she decided to return to her small town to relive her “glory” days, including winning back her ex, now-married, boyfriend Buddy Slade (Patrick Wilson). Joining, reluctantly, on her confusing journey is her former classmate Matt Freehauf (Patton Oswalt). Little does she understand: she really hasn’t grown up.
Young Adult brings together Writer Diablo Cody & Director Jason Reitman, the duo who collaborated and brought us the 2007 critically acclaimed film, Juno. Cody is known for her unique style of writing, having followed up Juno with writing United States of Tara & Jennifer’s Body; however, with Young Adult, Cody brings to the table a whole new kind of story, one that anyone can relate to if they travel down memory lane. The egotistical, loud-mouth, selfish, drama queen of highschool: ring a bell? Mavis is a dark, confused & rather broken character within a shell of a blonde has-been prom queen. You want to detest her throughout the film but you can’t. You feel for her and the people involved in her story. Mixing emotions is not an easy task and Cody definitely makes you understand prolonged adolescence & both sides of the story. What made this possible is the traditional Reitman treatment given to the film: simplicity with focus. From start to end, you are hooked to the screen to find out what happens next. Simple elements such as music, long shots of action with no dialogue, camera focus on a character during a lengthy pause – every thing done adds value to the viewing experience. Nothing is ever provided in excess. It truly highlights the performance provided by each one of the cast & enhances the feeling that Cody wants to transfer via her story. The story does waiver in the middle of film where you are kind of like “whats really going on” but Reitman manages to put it all together with a rather Reitman-style ending.
Cody & Reitman have undoubtedly worked their magic with this film; however, the spotlight shines on two individuals: Charlize Theron and Patton Oswalt. The cast have brilliant chemistry with each other throughout the film but none like the the chemistry seen between Theron and Oswalt. Theron has not just portrayed Mavis Gary, but become Mavis Gary. You are convinced from the minute you see her on screen: A self-obsessed blonde living in the memory of her teenage youth, saying what she wants, doing what she wants, getting what she wants. Theron takes Mavis on a journey filled with shocking character revelation, from her bold journey back home to the point where she is faced with the ultimate truth. The audience is introduced to Mavis’ internal struggle, the inner pain and the immaturity she still possesses. Theron’s acting just enhances every bit of it.
Mavis’ character revelation would not have been possible without her journey’s companion, Matt Freehauf portrayed by Patton Oswalt. Freehauf, a typical “loser” from Highschool (as seen by Mavis) is seen to bring reality to Mavis’ world. Oswalt, who is traditionally seen as a comedian, takes a much deeper, emotional role in the form of Freehauf. Portraying a victim of bullying by “cooler” kids, Oswalt brings to the screen “the common man” who enlightens Mavis on the concept of moving on & leaving the past behind – a step towards maturity. Oswalt is absolutely brilliant from start to end. Just like Theron, he puts on a convincing performance that really enhances the viewing experience every step of the way.
This film is not full of sadness. In fact, you’ll laugh more than feel bad. The mix of comedic, romantic & sad elements gives this film a perfect balance & a great movie watching experience. Its not the perfect of films & is definitely not for everyone. Some may call it slow and some even “irrelevant”. Like Ive said many times, some films just need patience and this is no exception. It is a must watch for those who really want to experience something different. Truly, hats off to Cody & Reitman.
This film is rated R for language & some sexual content. The film is now out in Theaters everywhere.
Theron gives a terrific performance. She elevates the movie by demonstrating her versatility. She almost makes you feel sympathetic towards this blonde, beautiful and sharp-witted anti-heroine. Oswalt deserves consideration for supporting actor as well. Great review.
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